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・ Cuban ribbontail catshark
・ Cuban Democratic Directorate (Directorio)
・ Cuban Democratic Revolutionary Front
・ Cuban Democratic Socialist Current
・ Cuban Diplomat
・ Cuban dissident movement
・ Cuban dogfish
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Cuban Fire!
・ Cuban Fireball
・ Cuban Five
・ Cuban flightless crane
・ Cuban flower bat
・ Cuban folk music
・ Cuban Friendship Urn
・ Cuban fruit-eating bat
・ Cuban funnel-eared bat
・ Cuban Fury
・ Cuban gambusia
・ Cuban gar
・ Cuban general election, 1901
・ Cuban general election, 1905
・ Cuban general election, 1908


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Cuban Fire! : ウィキペディア英語版
Cuban Fire!

''Cuban Fire!'' is an album recorded by Stan Kenton and his orchestra in 1956. This has become one of the most influential Latin jazz large-ensemble recordings of all time; it was a first for the Kenton big band in terms of popularity, style, and overall album theme. The LP charted for 4 weeks in Billboard Magazine starting in the September 15, 1956 edition and topped out at #17.〔''Billboard Top 100 LPs'', pp. 417〕 The concept of the original 1956 recording centers on the ''Cuban Fire!'' suite Kenton had commissioned from composer Johnny Richards. The 1991 CD re-issue is augmented with one extra track from the 1956 sessions and five cuts recorded four years later by the first of Kenton's mellophonium orchestras (1960).
== Background ==
Though Stan Kenton had recorded earlier hits such as ''The Peanut Vendor'' in 1947 with Latin percussionist Machito, as well as many other Latin flavored singles, the ''Cuban Fire!'' suite and LP stands as a watershed set of compositions for Johnny Richards' career and an outstanding commercial/artistic achievement for the Kenton orchestra,〔go to "Reception" section of this page, the Billboard Magazine sales tracking is outstanding considering what the project and CD set out to do, it was selling just under PAT BOONE at one point!〕 and a singular landmark in large ensemble Latin jazz recordings.〔Lawn, Richard (2007). "Experiencing Jazz". McGraw-Hill. p. 442 ISBN 978-0-07-245179-5.〕〔Sparke, Michael (2010). "Stan Kenton: This Is An Orchestra". University of North Texas Press. p. 138 ISBN 1-57441-284-1.〕 "The reason we (i.e Kenton) made CUBAN FIRE! is interesting. We had recorded a lot of Afro-Cuban music, and a lot of the Latin guys around New York complained: 'It's wrong, you're not writing the music correctly.'" 〔Sparke, Michael; Venudor, Peter (1998). "Stan Kenton, The Studio Sessons". Balboa Books. p. 121 ISBN 0-936653-82-5.〕 Stan Kenton then asked composer Johnny Richards (long time staff arranger for Kenton) to write an authentic Latin “suite” that would abide by all the rules many Afro-Cuban musicians had complained about.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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